饶舌

饶舌

1080P蓝光 1990  美国 
上映 :1990-11-06
类型 :纪录片 
国家 :美国 
更新 :2026-03-05
豆瓣ID : 1304347 IMDB : tt0103099
豆瓣 :8.0 IMDB :7.1
1990·美国·纪录片 ·1990-11-06上映·英语·详情
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  Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. "Black men loving Black men is the revolutionary act" is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.
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相关影片

  • 片名:饶舌
  • 状态:其他
  • 主演:Willi Ninja Willi Ninja 迈克尔·贝尔 Michael Bell 马龙·里格斯 Marlon Riggs 
  • 导演:马龙·里格斯 
  • 年份:1990
  • 地区:美国
  • 类型:纪录片 
  • 频道:7.1
  • 上映:1990-11-06
  • 语言:英语
  • 更新:2026-03-05 04:06
  • 简介:  Marlon Riggs' essay film TONGUES UNTIED gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia and marginalization. It broke new artistic ground by mixing poetry (by Essex Hemphill and other artists), music, performance and Riggs' autobiographical revelations. The film was embraced by black gay audiences for its authentic representation of style, and culture, as well its fierce response to oppression. It opened up opportunities for dialogue among and across communities. TONGUES UNTIED has been lauded by critics for its vision and its bold aesthetic advances, and vilified by anti-gay forces who used it to condemn government funding of the arts. It was even denounced from the floor of Congress. "Black men loving Black men is the revolutionary act" is the rallying cry at the film's end and after more than twenty years, TONGUES UNTIED remains a celebrated vehicle for eloquent self-expression and liberation.
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