Filmmaker shows a Mormon cult attacked from inside and outside Don Argott's documentaries, such as The Art of the Steal (NYFF 2009) and Framing John DeLorean (2019), openly reject objectivity and show a penchant for siding with someone he thinks has been wronged. Something akin to this pattern pops up again in his new film about a branch of the extreme Mormon FLDS Church (The Fundamentalist Church of Jesus Christ of Latter-Day Saints) with the addition that he injects himself as an observer whose coolness turns to sympathy over a period of years. 　　译文(2): 电影制作人展示了一个摩门教邪教从内部和外部攻击唐 · 阿戈特的纪录片，如偷窃的艺术(NYFF 2009)和框架约翰 · 德罗宁(2019) ，公开拒绝客观性，并表现出偏袒某人，他认为已经错了。类似的情况再次出现在他的新电影中，这部电影讲述了极端摩门教教会的一个分支(原教旨主义者的耶稣基督后期圣徒教会) ，他将自己注入到一个观察者的角色中，这个观察者的冷静在几年的时间里变成了同情。