Chris Marker's elliptical, oblique documentary on the making of Akira Kurosawa's "Ran" is an uneasy blend of hagiography (usual Cahiers du Cinema stuff) and Marker's trademark meditations on the mediating role of technology in memory and the human experience, plus probably aging, and etc., etc., etc. These Gallicisms seem out-of-place; but the philosophies are easily discarded. What makes the film a pleasure are the glimpses we see of Kurosawa's work processes, in addition to all the detail and work that goes into the making of a true epic. 译文(2): 克里斯 · 马克(Chris Marker)关于制作黑泽明(Akira Kurosawa)的《然》的纪录片是一部椭圆形的、倾斜的纪录片，不安地混合了传记(通常是《电影手册》(Cahiers du Cinema)的东西)和马克对技术在记忆和人类经验中的中介作用的商标性沉思，再加上可能的衰老，等等，等{资源屯-ziyuantun.com}。这些高卢语似乎格格不入，但哲学却很容易被抛弃。使这部电影成为一种享受的[ZiYuantun.Com]是我们瞥见黑泽明的工作过程，除了所有的细节和工作，进入一个真正的史诗的制作。
