Waiting for his big dream (a film role) to come true, Pablo works as a training actor in a patient-care programme at a medical faculty and a paid participant in group therapy sessions. To make ends meet, he sublets a room in his apartment in a suburb of Santiago de Chile. However, he seems to have lost control when his housemate departs, leaving him with rent arrears, a collection of plants, a dog, a woolly jumper, and ... a house ghost. Pablo is 30, and when it comes to romance he is also chasing apparitions. He is secretly still in love with his ex-boyfriend, a popular YouTuber. Using his own flat as the principal shooting location, director Roberto Doveris (Las plantas, 2015) stays close to home for his second feature film. The flat serves as a base, for an excursion that examines every aspect of the material and social structures that make up the characteristic urban district of Ñuñoa. Airily edited slices of life, sometimes pasted over transparent line animations, create an augmented reality that depicts the intangible aspects of the world Pablo and his peers inhabit. The village intimacy of neighbourhood life and the huge reach of their social media accounts, form both a naturally cohesive whole for this group of creatives seeking expression and an inexhaustible source of recognition, friendship, and hope. 译文(3): 巴勃罗在等待他的大梦想（一个电影角色）实现时，在一所医学院的病人护理项目中担任培训演员，并在团体治疗课程中担任付费参与{资源屯-ziyuantun.com}。为了维持生计，他把位于智利圣地亚哥郊区的公寓里的一个房间转租了出去。然而，当他的室友离开时，他似乎失去了控制，留下了拖欠的租金、一堆植物、一只狗、一件羊毛套头衫和。{Ziyuantun.Com}。。家里的鬼。巴勃罗今年30岁，当谈到浪漫时，他也在追逐幻影。他仍然暗恋着他的前男友，一个受欢迎的YouTuber。
