couple things about this film. First of all, this is a perfect example of box art misrepresentation. Notice our hero on the front cover. Anyone at all familiar with Charles Durning knows that the guy on the cover bears only a vague resemblance
十九世纪九十年代，一群勇敢黑人牛仔从西班牙与美国战争中返回，他们向美国西部挺进，寻找他们领袖的杀父仇人。在路途中，他们经历了种种惊险与诱惑，但他们一直与白人中的邪恶势力对抗，最终终于帮助其领袖报了杀父之仇。
The White Men Wanted A Stud To Breed Slaves. The White Women Wanted Much More ... MANDINGO lit the fuse... DRUM is the explosion! It scalds. It shocks. It whips. It bleeds. It lusts. It out-Mandingo's "Mandingo"! 译文(3): 白人想要一
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to assassinate Tarr. Foster photographs the melee and is plunged into
Marvin Bookman is a small shop owner in Gary, Indiana, USA. After he sees a drive-by shooting of Laurie Thompson's son by a local gang, he gives up the license number of the car to the police. The gang doesn't like this so they go to the store a
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1970年代黑人剥削电影的女王帕姆·格里尔，继主演《科菲》和《骚狐狸》两部著名黑人剥削电影后，和Cult片导演威廉·哥德尔合作了纯粹的黑人剥削电影《希巴，宝贝》。在本片之前，格里尔出演的影片基本是预算很低且带有动作场景的影片，这让她觉得自己很廉价，于是本片，格里尔自己出资大头拍摄，而片中她的角色也有所变化，不再是看上去自大夸张的，更体现出她本人的魅力。 影片上映的1975年，是格里尔告别黑人剥削电影的年份，讽刺的是，也是她告别事业巅峰期的年份，这年她主演了三部黑人剥削电影，除了本片外，还和阿瑟·
When two troublemaking female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way
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